Browse through Phoebe’s own compositions and recordings of works.
legacy of ill placed tracks (2017)
by Phoebe Bognár
for flutes, ‘island percussion’ and tape (David Moran on Cello)
as part of the Mirroring Minjerribah exhibition
Score extracts from legacy of ill placed tracks
A Waning Body (2018)
by Phoebe Bognár
for string quartet
Climatic Metamorphosis (2015)
by Phoebe Bognár
for piccolo, flutes, alto flute, bass flute, vibraphone
Female Nude (1993)
by Andrew Ford
Utter (2018)
by Jasmin Leung
For solo improvising flute, harmonic whirlies and children’s choir.
Pangkur (for mixed quartet)
by Juro Kim Feliz (2017)
Nief-Norf Summer Festival New Asia Summit Call for Scores selection
for piccolo+alto flute, clarinet+bass clarinet, violin and violoncello
Mouthpiece 28
by Erin Gee (2016)
Performed at the Nief-Norf Summer Festival 2018
for soprano, bass flute, violin, bass clarinet and percussion
Terrestre (2002)
by Kaija Saariaho
for solo flute, violin, violoncello, harp and percussion
Sonata No IV ‘La Lumagne’ (1732)
by Michel Blavet (1700 – 1768)
Sonatine for Flute and Piano (1946)
by Pierre Sancan (1916–2008)
Trio for Flute, Cello and Piano H.300 (1944), Movement I
by Bohuslav Martinů (1890-1959)
Persistent engines (2017)
by Phoebe Bognár
for flute
Noisy Women Concert (2018)
Curated by Phoebe Bognár
as part of the 2018 Queensland Conservatorium Griffith University Concert Series.
https://www.ustream.tv/channel/FEFagrcZHKP
I was in your house and waited that the Rain might come
by Jasmin Leung (2018)
Premiered in the Noisy Women Concert.
The Dawn is at Hand
by Chris Kotchie (2017)
for flute and guitar
movement I
movement II
movement III
Sibilance
by Liam Barr (2017)
for solo flute
Improvisation on a theme of migration
by Jasmin Leung and Phoebe Bognar (2018)
a site-specific improvisation in the Chungking Mansions for Erhu, Dizi and audience contribution
