Recordings and Compositions

Browse through Phoebe’s own compositions and recordings of works.

legacy of ill placed tracks (2017)

by Phoebe Bognár

for flutes, ‘island percussion’ and tape (David Moran on Cello)

as part of the Mirroring Minjerribah exhibition

Score extracts from legacy of ill placed tracks

A Waning Body (2018)

by Phoebe Bognár

for string quartet

Climatic Metamorphosis (2015)

by Phoebe Bognár

for piccolo, flutes, alto flute, bass flute, vibraphone

Female Nude (1993)

by Andrew Ford

Utter (2018)

by Jasmin Leung

For solo improvising flute, harmonic whirlies and children’s choir.

Pangkur (for mixed quartet)

by Juro Kim Feliz (2017)

Nief-Norf Summer Festival New Asia Summit Call for Scores selection 

for piccolo+alto flute, clarinet+bass clarinet, violin and violoncello

Mouthpiece 28

by Erin Gee (2016)

Performed at the Nief-Norf Summer Festival  2018  

for soprano, bass flute, violin, bass clarinet and percussion

Terrestre (2002)

by Kaija Saariaho

for solo flute, violin, violoncello, harp and percussion

Sonata No IV ‘La Lumagne’ (1732)

by Michel Blavet (1700 – 1768)

Sonatine for Flute and Piano (1946)

by Pierre Sancan (1916–2008)

Trio for Flute, Cello and Piano H.300 (1944), Movement I

by Bohuslav Martinů (1890-1959)

Persistent engines (2017)

by Phoebe Bognár

for flute 

Noisy Women Concert (2018)

Curated by Phoebe Bognár

as part of the 2018 Queensland Conservatorium Griffith University Concert Series.

I was in your house and waited that the Rain might come

by Jasmin Leung (2018)

Premiered in the Noisy Women Concert.

The Dawn is at Hand

by Chris Kotchie (2017)

for flute and guitar

movement I

movement II

movement III


by Liam Barr (2017)


for solo flute

Improvisation on a theme of migration

by Jasmin Leung and Phoebe Bognar (2018)


a site-specific improvisation in the Chungking Mansions for Erhu, Dizi and audience contribution